The phonograph appears again in One day into Geology (2022): its image intersects with cross-sections of erupting volcanoes launching stone missiles over and underground. While Jiménez attended art school, he majored in industrial design, which explains the diagrammatic quality of his compositions. Turntable with a (Muestreario) of Organic Forms (2020) is a landscape of sorts, with brightly coloured organic forms floating over a phonograph player depicted in the shape of a Mayan pyramid. Presented under the title 'Totems of a Lost Generation', acrylic-on-canvas works evoke the maps, notes, and records of 19th-century archaeological digs. Ocula Conversation Guadalupe Maravilla Connects Healing Practices from East to West Read MoreĪt MAIA Contemporary, works by Mexican artist Cisco Jiménez take in the vast, complex, and contrasting temporalities that define Latin American culture, from its pre-Hispanic era to its present. Here, the line splits, with images moving up one column showing men fighting, while to the right, images of plain red amphorae extend to the photo of an orange balloon then, a microscope, a claw, a hand, and an ear sequence, bringing to mind Mike Tyson's notorious mouth rip. Wrestlemania XXX begins at the bottom left corner with images from ancient Greece-an illustration of an athlete holding a black-figure amphora, and above that a close-up of one such amphora with the depiction of two men wrestling.
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In Hong Kong, a trio of new additions to the series (all 2022) include Wrestlemania XXX, wtFOCK, and Our Flag Means Death.
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The 'Associations' series by Ed Fornieles turns strings of formal associations into conceptual abstractions with square images creating angular connective chains that move across a white plane.Įach work is rendered in large-format inkjet print on semi-gloss photographic paper, with mount board featuring multi-aperture windows creating a sense of weight in each composition. Large-format inkjet print on semi-gloss photographic paper, mount board with multi-aperture windows. The properties of thermoplastic, which can be melted and re-used, are echoed in Chan's use of beeswax for other sculptures, with Complex (2022) forming a grid of yellow beeswax cells hung on a wall.Įd Fornieles, Wrestlemania XXX (2022). The results are objects that generate what the gallery describes as 'an internal architecture of the mind' and 'a landscape that resembles the strangeness of dreams.' Sanitise Insanity (2022) is a clothing rack made from thermoplastic, a non-toxic, eco-friendly material used in 3D printing, with each of the arms holding charcoal and Himalayan sea salt-infused soap balls. Working with malleable materials, Chan, who holds a BFA (2011) from the Royal Melbourne Institute of Technology and an MA (2014) from Hong Kong Baptist University, extracts elements from the built environment and turns them into sculptures that toe the line between reality and surreality. This is Mine Project's first showing at Art Basel Hong Kong as part of Discoveries, and with a suite of sculptural works by Hong Kong artist Tap Chan, the gallery does not disappoint. Take Eat me! Eat me! (Strawberry, vanilla, chocolate, matcha, taro, mint, bozi soda, mango) (2021), a kinetic sculpture of ice-cream cones 3D-printed to look as if they've fallen to the ground, scoop first, twisting cone up.Īrtist Profile Tap Chan View Bio, Works & Perhaps it's the familiarity of the image that's so striking an invocation for a time when emptied swimming pools were secret hide-outs for teenagers being teenagers and skaters being skaters.īorn in 1988, Chan's background in visual communications-he completed his BA on the subject at Birmingham City University in 2011-shows in a practice defined by a coy sense of play. You come to me on a summer breeze: Istanbul 2 (2021), for example, is a bird's-eye view of a pool that renders every single blue tile in dizzying detail.
Rendered from the perspective of someone looking straight ahead from one end of an empty swimming pool, other works give different viewpoints.
Chan Wai Lap at Gallery EXITĭreaming of Swimming Pools 1 (2022) is a new addition to Chan Wai Lap's series of colour pencil on paper works that treat empty swimming pools as readymade grids. Chan Wai Lap, Dreaming of Swimming Pools 1 (2022).
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